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Mẹo Hướng dẫn Theatre preview meaning 2022
Bạn đang tìm kiếm từ khóa Theatre preview meaning được Cập Nhật vào lúc : 2022-02-03 15:03:19 . Với phương châm chia sẻ Mẹo về trong nội dung bài viết một cách Chi Tiết 2022. Nếu sau khi đọc tài liệu vẫn ko hiểu thì hoàn toàn có thể lại Comments ở cuối bài để Ad lý giải và hướng dẫn lại nha.
Love Never Dies. Photograph: Jonathan Hordle / Rex FeaturesTheatre blog
Andrew Lloyd Webber is furious that bloggers have been ‘reviewing’ previews of his new show. Does he have reason to be angry?
Andrew Lloyd Webber would presumably like to uninvent the internet. The official press night of his latest show, Love Never Dies, a sequel to the hugely successful Phantom of the Opera, is tonight, but the composer is furious that message boards, blogs and chatrooms are already buzzing with opinion posted by those who have been to preview performances.
No doubt if the comment was positive, Lloyd Webber would not be moaning, but a great giảm giá of what has been written is not, including a hilarious review by the waggish West End Whingers, who have rechristened the show Paint Never Dries. Lloyd Webber believes that those attending previews need to understand that they are not seeing the final cut, but a “work in progress”.
It’s an argument that might hold water if Love Never Dies had followed the usual West End convention of offering its preview audiences a discount rather than charging full whack. If you are seeing a work in progress, why should you pay full price?
Maybe producers should pay the preview audiences, who are, after all, acting as vital guinea pigs; however much a show is rehearsed, nobody can predict how an audience will respond until it’s put in front of them. It’s common for shows to be reworked substantially during the preview period (War Horse went from a disastrous first preview to a triumphant first night), and with musicals that can mean excising songs or adding new ones. In some cases, such as The Witches of Eastwick, no amount of tweaking can salvage the end result.
Many of our best directors and companies, such as Katie Mitchell, Simon McBurney, Improbable and Fevered Sleep, never stop working on a show; it will continue to evolve until the very last night of a run. But a multi-million pound-show like Love Never Dies will be locked down and fixed like a fly in amber the point when the producers think it’s just right. The trick is to bag a ticket when it’s as good as it’s ever going to be, but hasn’t yet gone mechanically stale. Adding salt to the wound of those who paid for previews, Lloyd Webber quotes the old adage: “Never go and see a musical until a month after it opens.” On that basis, I reckon that 9 April could be a good date to choose. Provided, of course, that it’s still running by then.
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